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	<title>News and Updates &#187; performance</title>
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		<title>Smiles No Teeth: a video proposal</title>
		<link>http://adamjacono.com/news/smiles-no-teeth-a-video-proposal</link>
		<comments>http://adamjacono.com/news/smiles-no-teeth-a-video-proposal#comments</comments>
		<pubDate>Wed, 28 Oct 2009 16:20:53 +0000</pubDate>
		<dc:creator>Adam Jacono</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://adamjacono.com/news/?p=326</guid>
		<description><![CDATA[Three participants, one child, one adult male and one adult woman will sit on the couch embracing each other with full smiles. Start video. They will continue to hold their faces in smile position for 20 minutes.
The video references an artist&#8217;s piece at Art Space Raleigh, NC where participants are told to hold a smile [...]]]></description>
			<content:encoded><![CDATA[<p>Three participants, one child, one adult male and one adult woman will sit on the couch embracing each other with full smiles. Start video. They will continue to hold their faces in smile position for 20 minutes.</p>
<p>The video references an artist&#8217;s piece at Art Space Raleigh, NC where participants are told to hold a smile for as long as possible. Eventually the participant&#8217;s mouth and face becomes tired and the smile becomes a grimace.</p>
<p>I want to depart from this singular moment and involve a family: Mother, Father and Child. A happy family in transition. The scene mimics one found in an advertisement. A decisive moment captured by a commercial photographer of three models. Herein, the sellable moment is extended into reality and physical limitations of smiling.</p>
<p>I believe this is a comment on the products consumed by individuals in hopes of attaining perfection, in hopes of obtaining what the advertisement presents and promises. For example whiter teeth, a slimmer body, softer clothing or travel. The piece provides a circular motion found in the cradle to grave process of consumable products.</p>
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		<title>Power Shift</title>
		<link>http://adamjacono.com/news/110</link>
		<comments>http://adamjacono.com/news/110#comments</comments>
		<pubDate>Tue, 31 Mar 2009 16:25:28 +0000</pubDate>
		<dc:creator>Adam Jacono</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Annie Hogan]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[public art]]></category>
		<category><![CDATA[Wafaa Bilal]]></category>

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		<description><![CDATA[Power Shift, March 23-30, 2009
Annie Hogan wrote a nice piece on a collaborative artwork between Wafaa Bilal, Marylin (our School of Art and Design housekeeping professional), me, and herself. 
&#8220;As a result of Wafaa Bilal&#8217;s visit to ECU, an exhibition &#8216;Power Shift&#8217; (working title) was installed in the Foyer space at the School of Art and Design [...]]]></description>
			<content:encoded><![CDATA[<p>Power Shift, March 23-30, 2009</p>
<p><a href="http://anniehogan.com/blog/">Annie Hogan</a> wrote a nice piece on a collaborative artwork between <a href="http://wafaabilal.com">Wafaa Bilal</a>, Marylin (our School of Art and Design housekeeping professional), me, and herself. </p>
<p>&#8220;As a result of Wafaa Bilal&#8217;s visit to ECU, an exhibition &#8216;Power Shift&#8217; (working title) was installed in the Foyer space at the School of Art and Design at East Carolina University this week. A collaborative work between Marilyn (our wonderful janitor) Wafaa, Adam Jacono (photo grad) and myself explores performance and artmaking,  the performative moment using the &#8216;mop stroke&#8217; and the mop as art making instrument, and repetitive stroke as body memory art gesture.&#8221;</p>
<p>For images of the installation and more info please visit <a href="http://anniehogan.com/blog">anniehogan.com/blog</a></p>
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